标题: 法國政治畫家 雅克-路易·大卫（法语：Jacques-Louis David ) [打印本页] 作者: ngsunyu 时间: 2018-10-21 11:10 标题: 法國政治畫家 雅克-路易·大卫（法语：Jacques-Louis David ) 雅克-路易·大卫 (法语：Jacques-Louis David，1748年8月30日~1825年12月9日），法國畫家，新古典主义画派的奠基人和當代最著名的藝術家之一，有许多學生。
1789年他創作了《處決自己兒子的布魯斯》配合當時發生的法國大革命，在公眾中產生巨大的反響。他的1790年~1794年未完成的画作草图
《网球厅宣誓》 (法语: Le Serment du Jeu de paume) 描繪於1789年6月20日在凡尔赛宫附近的王家室内网球馆 由576名法国三级会议第三级代表和少数第一级代表宣誓国民议会将继续开会，不制定法国宪法决不解散。表明政治权利属于人民及其代表而非君主。它是法国大革命的序幕。
Le Serment du Jeu de paume is an incomplete painting by Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis
Court Oath at Versailles, one of the foundational events of the French Revolution. Political reversals and financial difficulties meant that
David was never able to finish the canvas, which measures 400 by 660 cm and is now in the Musée national du Chateau de Versailles.
(en.wikipedia.org/wiki/The Tennis Court Oath (David)作者: ngsunyu 时间: 2018-10-21 11:19 本帖最后由 ngsunyu 于 2018-10-21 11:33 编辑
雅克-路易·大卫 (法语：Jacques-Louis David) 的1790年~1794年未完成的画作草图
《网球厅宣誓》 (法语: Le Serment du Jeu de paume) 描繪於1789年6月20日
在凡尔赛宫附近的王家室内网球馆 由576名法国三级会议第三级代表和少数第一级代表宣誓国民议会将继续开会，不制定法国宪法决不解散。表明政治权利属于人民及其代表而非君主。它是法国大革命的序幕。 作者: ngsunyu 时间: 2018-10-21 11:20 本帖最后由 ngsunyu 于 2018-10-21 13:04 编辑
雅克-路易·大卫 (法语：Jacques-Louis David) 的1790年~1794年未完成的画作草图
《网球厅宣誓》 (法语: Le Serment du Jeu de paume) 描繪於1789年6月20日
在凡尔赛宫附近的王家室内网球馆 由576名法国三级会议第三级代表和少数第一级代表宣誓国民议会将继续开会，不制定法国宪法决不解散。表明政治权利属于人民及其代表而非君主。它是法国大革命的序幕。 作者: ngsunyu 时间: 2018-10-23 04:35 本帖最后由 ngsunyu 于 2018-10-23 04:37 编辑
凡尔赛宫附近的王家室内网球馆 « Salle du Jeu de Paume » , 1939年 vs 2018年。作者: ngsunyu 时间: 2018-10-24 09:23 本帖最后由 ngsunyu 于 2018-10-24 09:25 编辑
1799年他的大幅油画作品《萨宾妇女的调停》（L'Intervention des Sabines, Les Sabines
arrêtant le combat entre les Romains et les Sabins）。作者: ngsunyu 时间: 2018-10-26 02:30 本帖最后由 ngsunyu 于 2018-10-26 02:36 编辑
《L'Intervention des Sabines, Les Sabines arrêtant le combat entre les Romains et les Sabins》 is a 1799 painting by the French painter
Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome.
David began planning the work while he was imprisoned in the Luxembourg Palace in 1795. France was at war with other European
nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David had been
imprisoned as a supporter of Robespierre. David hesitated between representing either this subject or that of Homer reciting his verses
to his fellow Greeks. He finally chose to make a canvas representing the Sabine women interposing themselves to separate the Romans and
Sabines, as a 'sequel' to Poussin's The Rape of the Sabine Women.
Work on the painting commenced in 1796, after his estranged wife visited him in jail. He conceived the idea of telling the story, to
honour his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after
the bloodshed of the revolution. Its realization took him nearly four years.
The painting depicts Romulus's wife Hersilia – the daughter of Titus Tatius, leader of the Sabines – rushing between her husband and her
father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. (en.wikipedia.org/wiki/The_Intervention_of_the_Sabine_Women)