3．5 纲要
纲要必须放置展品首页上，表述展品内容并清晰地再现主题思想。
纲要必须有逻辑、均衡，与题材和题目一致，分章节。仅有简单的内容目录或文字描述是不够的。书写文字必须采用任何一种FIP官方语言。
4．展品的评审标准
4．1 极限集邮展品根据FIP集邮展览竞赛级展品评审总规则第4条和FIP极限集邮展品评审专用规则评审。
4．2 展品的处理和重要性
共30分，其中处理20分，重要性10分。
展品的处理和拓展包括下列几方面：
展品的题目、纲要和内容之间保持良好的协调一致，极限明信片分类明智、有层次、逻辑性强，并和脉络清晰的纲要相适应。说明文字应简洁，并对各组成要素和/或和谐一致起补充说明的作用。
展品的重要性指根据已知素材和所处理专题范围大小对所选专题拓展难度。
4．3 知识和研究
共35分，其中知识20分，研究 15分。
参展者根据自己挑选极限明信片以展出方式接受评审。参展者应清晰地展出所选专题知识、邮票知识、邮戳知识，必要时对图画明信片的知识。作者: 钟玉龙 时间: 2012-8-28 16:01
邮票知识根据说明的重要性（发行目的和日期、类型、版别、变体、有效使用日期等）接受评审。
邮戳知识包括邮戳类型、使用时期及其使用情况（地点、图案、文字）的证明。邮戳由邮政部门盖销后对其外观进行任何涂改都应作伪造处理。
图画明信片的知识根据其与邮票主题的和谐一致程度、品相和版本珍罕性进行评审。
极限集邮研究以遵循主题、地点和时间三要素的和谐一致为原则。
主题的和谐一致是组成一枚极限明信片的最重要条件，邮票和明信片图案应尽可能在视觉上和谐一致。
地点的和谐一致要求邮戳的地点与邮票及明信片主题密切相关。“首日邮戳”符合上述条件方可使用。
纪念物、风光名胜唯一符合和谐一致要求的地点是纪念物、风光或名胜所在地。如果该地没有邮局，销戳地应选符合上述要求的地点或最靠近的地方。
主题是名人，应选择与其纪念事件有关的地点销戳：出生、去世、埋葬、工作或活动地、死后纪念地等。假如邮票纪念以上某事件，应选择其事件发生地销戳。邮票纪念一件事件，应选择其相关地销戳。
假如邮票表现诸如飞机、火车或轮船，选择与主题有关的飞机、火车、码头或飞机（或火车、轮船）上邮局销戳。
极限明信片表现体育运动应在该体育项目训练所在地销戳。
极限明信片表现工艺品如绘画、雕塑、镶嵌工艺品、搪瓷制品、铝条玻璃窗、壁画、艺术挂毯以及通常所有博物馆或美术馆藏品应在发现地或创造地销戳。其他地点如果与其作品有关联（如艺术家签名或肖像，模特肖像等）也允许销戳。
然而，评审有关“工艺品”展品时，考虑到其普遍性，评审团可接受发行国家的邮戳。但同一工艺品出现在不同国家的邮票上时，该作品发现国销戳的极限明信片评分较高。
当邮票表现的主题地点不在发行国而在他国时，上述例外情况适应用于名人或有关宇宙专题，应在邮票发行国组织与发行目的有关的声明地点销戳。
当邮票纪念他国事件或表现他国风光或纪念物时，因地点完全不和谐一致不能制作极限明信片。
某国在国外设立的邮局销戳（如举办集邮展览或者其它场合）可以接受。
销戳地点与主题密切相关、邮戳上的图案或文字与邮票/明信片形成一个和谐一致的整体，不论其已使用时间长短，都特别受欢迎。
时间的和谐一致指在邮票有效使用期内的邮戳日期。
4．4品相和珍罕性
共30分，其中珍罕性20分，品相 10分。
极限明信片珍罕性依据在其领域内三要素其中之一要素的相等珍罕度、制作的难度/或古典性。
极限明信片的古典性划分3个阶段：
A．1946年前——1946年为极限明信片名称首次公布的时间
B．1946年至1978年——1978年为FIP首次采纳“极限明信片规则” 的时间
C．1978年至今
4．5 外观
外观5分。
展品的外观应认真完成、整体外观良好。因此，参展者应遵循以下几个方面：
使用浅色贴片；贴片上的素材疏密有致，每张贴片最多放置两枚极限明信片（避免贴片过于空荡或过于密集邮品相互遮盖）；相应的说明文字准确、清晰、书写无误。
5．展品评定
为了得到一致的评定，极限集邮类评审员应填妥评审表格，给参展者提供若干意见，以供其修改展品。展品中不允许有伪品，建议参展者请人对有疑问的邮品给予鉴定。
6．适用条件
本极限集邮类展品评审指导要点于2006年10月14日在马拉加举行的FIP大会上通过，并于2007年3月卢森堡举行的FIP理事会批准。
（原载《集邮报》2007.12.22第11版面》）作者: 钟玉龙 时间: 2012-8-28 17:21
FIP极限集邮评审专用规则（最新英文原版）
FIP FEDERATION INTERNATIONALE DE PHILATELIE Fondée en 1926 COMMISSION FOR MAXIMAPHILY SPECIAL REGULATIONS FOR THE EVALUATION OF MAXIMAPHILY EXHIBITS AT F.I.P. EXHIBITIONS (SREV) Malaga, October 12, 2006 Article 1: Competitive exhibitions These special regulations have been drawn up in accordance with article 1.5 of the “General regulations of the FIP for the evaluation of competitive exhibits at FIP exhibitions (GREV)” to supplement those principles with regard to Maximaphily. Also refer to “Guidelines for judging Maximaphily exhibits”. Article 2: Competitive exhibits The maximum cards should conform to the principles of maximum possible concordance between: a) The postage stamp b) The picture of the postcard c) The cancellation. Article 3: Principles of exhibit composition The constituent elements of maximum cards should conform to the following characteristics: 3.1. The postage stamp It must be valid for postage and affixed only on the view side of the picture postcard. Postage-due stamps, pre-cancels, revenue stamps, stamps violating the "UPU (Universal Postal Union) philatelic code of ethics", are not allowed, nor are official stamps, except those, which are at the disposal of the public (United Nations, UNESCO, Council of Europe,...). The postage stamps which are cut out from postal stationery are allowed only if the issuing postal service permits their use. 3.2. The picture postcard Its size must conform to dimensions accepted by the “Universal Postal Convention”. However, postcards of square or rectangular shape available on the market are accepted, provided that their size allows them to be laid out on a sheet to the A4 format (210 x 297 mm) at a rate of two per sheet. Out of respect for its designer,it is strictly prohibited to reduce the size of a postcard by cutting it. The picture must offer the best possible concordance with the subject of the postage stamp or with one of them, if there are several. All postcards fully reproducing the postage stamp, that is to say with perforation, face value, country name, are forbidden. The picture must emphasize the subject of the postage stamp. The postcards on the market are accepted as they are. They can have margins and a text directly connected with the subject. Old postcards can have on the view side an area for correspondence. With the exception of these old postcards, the larger the picture is, the better the quality of the maximum card is considered to be. Postcards with multiple pictures as well as ones with holograms are forbidden. 3.3. The cancellation The cancellation must be printed exclusively by the authorized postal service. The pictorial作者: 钟玉龙 时间: 2012-8-28 17:21
design of the cancellation and/or the text, as well as the place of cancellation (name of the Post office) should have a connection with the subject of the postage stamp and of the picture postcard, or with the purpose of the issue (event, charitable activity, theme of the series). However cancellations made by philatelic services are accepted provided that the concordance of place is respected. Cancellations made by the philatelic service of small countries with only the country name are allowed. The closer the connection is between the subject and the picture and/or the text of a pictorial cancellation, the better is the concordance. The ordinary cancellations without illustration are valid provided that the concordance of the place is respected. The cancellation must be carried out within the period of validity of the postage stamp and as close as possible to the date of issue. 3.4. Classification of the exhibits Maximaphily exhibits can be classified by: a) Country or group of countries b) Specialized field or study c) Theme. 3.5. Plan In the introductory statement, the title and the plan form a whole, in perfect concordance with the material shown (reference GREV, article 3.3). The concept, the structure and the development of the exhibit should be clearly defined. Article 4: Criteria for evaluating exhibits The evaluation of the exhibits at FIP exhibitions is carried out according to well defined general criteria(reference GREV, article 4). For Maximaphily exhibits, special significance is given to the knowledge and the maximum possible concordance shown (refer to guidelines). Article 5: Judging of exhibits 5.1. Maximaphily exhibits are judged by the approved specialists in the Maximaphily class and in accordance with section V, articles 31 to 46 of GREX (reference GREV, article 5.1.). 5.2. For Maximaphily exhibits, the following relative terms are presented to lead the jury to a balanced evaluation (reference GREV, article 5.2.). - Treatment and extent of the exhibit 30 - Knowledge and research 35 - Condition and rarity 30 - Presentation 5 ------ 100 Article 6: Concluding provisions 6.1. In the event of any discrepancies in the text arising from translation, the English text shall prevail. 6.2. These “Special regulations for the evaluation of Maximaphily exhibits at FIP exhibitions” have been unanimously accepted by the FIP Maximaphily Commission Conference held in Malaga on October 12, 2006 and submitted for approval to FIP Bureau.作者: 钟玉龙 时间: 2012-8-28 17:23
FIP极限集邮类展品评审指导要点（（最新英文原版）
FIP FEDERATION INTERNATIONALE DE PHILATELIE Fondée en 1926 COMMISSION FOR MAXIMAPHILY GUIDELINES FOR JUDGING MAXIMAPHILY EXHIBITS
1. Competitive exhibitions The present guidelines complete the general regulations (GREV) and the special regulations (SREV) to help the jury in the evaluation and the exhibitors in the elaboration of Maximaphily exhibits. 2. Competitive exhibits 2.1. A Maximaphily exhibit is exclusively composed of maximum cards. 2.2. The quality of the constituent elements and the concordance between these elements give the maximum card the qualification of "appropriate philatelic material" (GREV, art.3.1.). 3. Principles of exhibit composition The constituent elements should conform to the following conditions, in addition to those provided in SREV article 3: 3.1. The postage stamp - It must be in perfect condition. - Only one postage stamp should be affixed on the view side of the picture postcard. Before 1978, when the “International statute of Maximaphily” was approved, maximum cards showing several postage stamps are tolerated, if one or more of those are concordant with the picture on the postcard. - In the case where a postage stamp has multiple, secondary or partial subjects, each subject must as far as possible, be dealt with separately. - The postage stamp (or the souvenir sheet it belongs to, if it is stuck on the postcard) must not exceed a quarter of the postcard area. - When the same subject is spread out on several se-tenant stamps making a panorama, the set can appear on a single postcard. However, when a subject is isolated on one of the se-tenant stamps only the one on which the treated subject is illustrated should be affixed to the postcard. - The use of an illustrated postal prepayment impression dispensed by automatic vending machines, affixed on the view side of the postcard, is allowed. - In general, abstract or symbolic subjects do not suit Maximaphily and are excluded from its field. 3.2. The picture postcard - The picture postcard should be as far as possible on sale before the issue of the postage stamp. Or,if it has been published specially, it should reproduce a pre-existing document. - Only square and rectangular formats are allowed; all others are excluded. - The following items cannot be used for maximum cards: collages, cut-outs, private photographs on photo paper, color or black and white photocopies, photo-montages, drawings, documents specially devised for the stamp issue to be printed privately on photo paper thanks to a computer. 3.3. The cancellation - The cancellation giving the name of the post office as well as the date must be legible. It must be whole and tie the postage stamp to the postcard. This applies to hand-stamped cancellations as well as to machine cancellations.作者: 钟玉龙 时间: 2012-8-28 17:24
- Non-illustrated cancellations are acceptable on condition that the concordance of place is respected. 3.4. Classification of the collections a) The collections by country or group of countries include maximum cards created with stamps issued by one country or by a group of countries having geographical, historical or cultural links. Generally the chronological order of the issues should be avoided, except for traditional exhibits limited to one period. b) The specialized and/or study collections are based, according to the exhibitor's choice, either on the constituent elements of the maximum card, or on the different concordances, or on both, or on a specific period. c) The thematic collections include maximum cards related to one theme. They are limited neither in space nor in time. In these three types of collections the so-called "variant maximum cards” can be simultaneously shown, that is to say maximum cards with the same postage stamp affixed on different postcards, with different cancellations, but always observing the rules of concordance. If the collection does not deal only with variant maximum cards, their number must be limited, in order not to show an imbalance in the exhibit or a lack of material. Two variant maximum cards per exhibition frame are considered as a maximum. A different date on the cancellation of the same date-stamp is not sufficient to make a variant maximum card. 3.5. Plan The collection must be preceded by a plan on a single page. It must describe the contents of the collection and clearly show the leading idea. It must be logical, well-balanced and in accordance with the chosen subject and title. It must be divided into chapters. A mere table of contents or a literal description cannot be regarded as a satisfactory plan. It must be written in one of the official FIP languages. 4. Criteria for evaluating exhibits 4.1.Maximaphily exhibits are judged according to article 4 of the “General regulations of the FIP for the evaluation of competitive exhibits at FIP-exhibitions (GREV)” and in accordance with the “Special regulations of the FIP for the evaluation of Maximaphily exhibits at FIP exhibitions (SREV)”. 4.2. Treatment and importance of the exhibit A total of 30 points is allotted, 20 for the treatment and 10 for the importance. The treatment and the development of an exhibit deals with following points: - A good concordance between the title, the plan and the contents of the exhibit. - A logical and judicious classification of the maximum cards, well adapted to the leading idea of the plan. - The written explanations should be concise, and give some supplementary information about the elements and/or the concordances. The importance of the exhibit is linked to the difficulty of the development of the chosen theme, according to the material known and the narrowness of the treated theme. 4.3. Knowledge and research A total of 35 points is allotted, 20 for the knowledge and 15 for the research. The exhibitor being judged by the way he/she has selected the maximum cards of his/her collection, his/her exhibit should clearly demonstrate his/her knowledge of the chosen theme,作者: 钟玉龙 时间: 2012-8-28 17:25
of the postage stamps, of the postal markings and also of the picture postcards when necessary. - The knowledge of postage stamps is judged according to the interest of the comments (purpose and date of issue, type, printing, variety, date of the end of validity ...) - The knowledge of postal markings covers the types of cancellations, the period of use, and the justification of the use of the cancellation (place, illustration, text …). All attempts to improve the aspect of a cancellation after the postal authorities have applied it will be considered as falsification. - The knowledge of picture postcards is judged according to its concordance with the subject of the postage stamp, its quality and the rarity of the edition. The research in Maximaphily is based on the observance of the three concordances: of subject, of place and of time. • The concordance of subject is the essential characteristic of a real maximum card. This concordance between the illustration of the postage stamp and the one of the picture postcard must be as close as possible and visually verifiable. • The concordance of place requires a connection between the name of the place or the locality written in the postmark and the subject of the postage stamp and of the postcard. The "first day cancellation" can only be used when it is in accordance with the above-mentioned condition. - For monuments, landscapes and sites there is only one place that gives the required concordance. It is the one where the monument, the landscape or the site is located. If the place has no post office,the one serving that site should be selected or the one of the nearest place. - When the subject is a personality the cancellation should be made in a place in connection with an event which concerns him/or her: birth, death, burial, work or aspect of his/her activity, posthumous homage etc. When the postage stamp commemorates explicitly one of these events, cancellation of the place where it happened is better. - In the case where the postage stamp commemorates an event, the cancellation should be made in a place related to it. - When the postage stamp shows for instance a plane, a train or a ship, the cancellation should be made in a place where there is an airport, a railway station, a port or an on-board post office related to the subject. - The maximum cards showing sporting activities are better if they are cancelled in places where these sports are practiced. - The maximum cards showing works of art such as paintings, sculptures, mosaics, enamels, leaded glass windows, frescoes, tapestries, and, generally, all objects in museums or collections, should be cancelled either in the place where they are to be found, or in the place where they were created. Cancellations of other places are allowed on the occasion of local exhibitions and other events if they are in connection with the work (signature or portrait of the artist, portrait of the model etc.). Nevertheless, in judging exhibits about "works of art ", considering their universal nature, the jury should allow the cancellation of the issuing country. However, in the case where the same work of art is shown on postage stamps of different countries, the maximum card with the stamp and the cancellation of the country where this work of art is to be found will be better.作者: 钟玉龙 时间: 2012-8-28 17:25
- In case of postage stamps showing subjects located in a country other than the issuing one, the above-mentioned dispensation applies to personalities and to themes related to cosmos. The cancellation should be from a locality of the stamp-issuing country where an event related to the purpose of the issue has been organized. - When the postage stamp commemorates an event or shows a landscape or a monument of another country, the realization of maximum cards is impossible as there is a total lack of concordance of place. - The cancellations made abroad by post offices of a country (on occasion of philatelic exhibitions or other) are allowed. - The cancellation is all the more interesting when it has been made in a place closely connected to the subject, which completes harmoniously the postage stamp/postcard set by its illustration or its text, and it has been used for a more or less short time. • The concordance of time is defined by the date of the postmark, within the period of validity of the postage stamp. 4.4. Condition and rarity of the material - A total of 30 points is allotted, 20 for the rarity and 10 for the condition of the items shown. The rarity of a maximum card depends on: - The relative rarity of the three elements, each one in its own area of interest. - The difficulty of making it and/or its antiquity. The antiquity is defined by reference to three periods: A. Before 1946, date marking the first publication of the maximum card definition. B. From 1946 to 1978. C. After 1978, date of the adoption by F.I.P.of the “Maximum-card regulations. 4.5. Presentation Five points can be given for the presentation. The presentation of an exhibit should be well finished and give a good general impression. Therefore the exhibitors should conform to following conditions: - use sheets of a light color - display the selected material harmoniously, with a maximum of two cards per sheet (avoid too empty or over-charged sheets, and overlapping items). - write the accompanying texts concisely and in legible writing, without mistakes. 5. Judging of the exhibits To get a consistent evaluation the judges for Maximaphily exhibits should complete the evaluation sheet and make some observations for the exhibitor and give him some advice on improving the exhibit. As forgeries are not acceptable in an exhibit, exhibitors are advised to have their doubtful items certified. 6. Conditions of application These “Guidelines for judging Maximaphily exhibits” have been unanimously accepted by the FIP Maximaphily Commission Conference held in Malaga on October 12, 2006 and submitted for approval to FIP Bureau.作者: 钟玉龙 时间: 2012-8-29 15:41
另备《外国极限》合订本(2001-2005) 35元/册(包挂刷)，量不多了，欲购从速。
《外国极限》合订本(2001-2005)封面
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《外国极限》合订本(2001-2005)封2
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《外国极限》合订本(2001-2005)封3
[attach]571657[/attach]作者: xrb200711 时间: 2012-9-3 09:30
今天上午已经收到合订本挂号信，谢谢！作者: 钟玉龙 时间: 2012-9-3 12:08
多谢告知！作者: 震旦 时间: 2012-9-3 16:43
钟先生：你好！你寄来的邮刑收到，谢谢！作者: 钟玉龙 时间: 2012-9-4 10:59
好的，谢谢回复！如有所需MC请告知。作者: 钟玉龙 时间: 2012-11-15 10:32
中国集邮报2012年10月12日第6版《文献集邮》报道《外国极限》合订本出版作者: 钟玉龙 时间: 2012-11-15 10:40
中国集邮报2012年10月12日第6版《文献集邮》发表的“《外国极限》(2006-2011)合订本出版”一文扫描作者: 钟玉龙 时间: 2013-5-3 13:59
2013.5.3日早上
寄出《外国极限》合订本（2006-2011）、《外国极限》合订本（2001-2005）：
眉山丁志宇（号码:SA 0650 1667 6 44）
等。。。。。。作者: 钟玉龙 时间: 2014-1-25 22:24 《外国极限》合订本年底优惠