J.M.W. Turner 巴黎画展

ngsunyu

約瑟夫·瑪羅德·威廉·透納（Joseph Mallord William Turner）（1775年4 月23日－1851年12月19日）是英國浪漫主義風景畫家，著名的水彩畫家和版畫家，他的作品對後期的印象派繪畫發展有相當大的影響。(http://zh.wikipedia.org/zh/約瑟夫·瑪羅德·威廉·透納)

Throughout his very long career, the deeply original British landscape painter J.M.W. Turner (1775-1851) drew inspiration from works by both old masters and contemporaries. Turner was often uneasy, fussy and even deliberately competitive, but these relationships with his predecessors and peers was always productive, fuelling his progress along his most demanding path.
The "Turner and his painters" exhibition retraces and illustrates the development of Turner's very personal vision, through the many chance or deliberate, but always opportune and enriching interaction that influenced his remarkable career. Nearly 100 paintings and other graphic works (studies and engravings) from major British and American collections, as well as the Louvre and the Prado will be on show.

February 24 2010 - May 24 2010 Open: 9 am to 10 pm Friday to Monday; 9 am to 2 pm on Tuesday, 10 am to 10 pm on Wednesday, 10 am to 8 pm on Thursday. Close on May 1st 只有三个星期

ngsunyu

透纳喜欢描绘自然现象和自然灾害：火灾、沉船、阳光、风暴、大雨和雾霾，他对大海的能力所倾倒，他虽然也描绘人物，但也只是为了衬托不能为人们征服的大自然的崇高和狂野，是上帝能力的证明，所以在他的后期注重描画在水面的光线、天空和火焰，而逐渐放弃描画实物和细部，为印象派的理论开辟了道路。他的早期作品运用比较传统的技法，但到后期他将水彩画的技法运用到油画创作中来，描绘出光线和大气的一瞬即逝的效果，据说他曾经把自己捆绑在风暴中船的桅杆上，以体验暴风雨的景象。(http://zh.wikipedia.org/zh/約瑟夫·瑪羅德·威廉·透納)
In the Royal Academy catalogue of 1842 the entry reads 'Snowstorm - steam boat off a harbor's mouth making signals in shallow water, and going by the lead. The author was in this storm on the night the Ariel left Harwich.' This painting is part of the exhibition.
透纳遗留下的大部分作品遗增英国国家，他希望能建立一个单独的博物馆，但没有实现。目前他遗增的作品大部分在“泰特博物馆”(Tate Britain)，重要部分保存在国家画廊(National Gallery)。

热爱极限

很好，我也喜欢他的画

ngsunyu

第一张画所在地博物馆片，法国人自制片。 第二张画展明信片我的自制片。谢谢 Bruno Bouveret。

ngsunyu

画展地点是巴黎大皇宮美術館（Grand Palais）位於香榭麗舍大道，是為了舉辦1900年世界博覽會所興建的，由建築師德格拉那及盧偉兩人共同建造，正面長240公尺、高43公尺。